{"id":449,"date":"2017-02-14T21:44:39","date_gmt":"2017-02-14T20:44:39","guid":{"rendered":"https:\/\/www.livarna-kamsek.com\/?page_id=449\/"},"modified":"2017-03-08T19:55:19","modified_gmt":"2017-03-08T18:55:19","slug":"449-2","status":"publish","type":"page","link":"https:\/\/www.livarna-kamsek.com\/en\/","title":{"rendered":"Home"},"content":{"rendered":"

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Kam\u0161ek Art Foundry<\/h1>\n

[\/vc_column_text][vc_empty_space height=”25px”][vc_row_inner][vc_column_inner][vc_column_text]In co-operation with various Slovenian and foreign sculptors, Kam\u0161ek Art Foundry has been combining talent and ability since 1989. As the previous generation of this family was also dedicated to the casting craft, these skills have been passed from generation to generation.<\/p>\n

In our work, we focus primarily on customers\u2019 ideas, which vary greatly due to the nature of our craft.<\/p>\n

We create everything from miniatures to large sculptures cast in bronze, but authors can also choose silver and aluminium.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row margin_top=”60″ margin_bottom=”60″ css=”.vc_custom_1487110593793{margin-bottom: 60px !important;}” anchor=”products”][vc_column][vc_column_text]<\/p>\n

Our products<\/h2>\n

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Adam and Eve Brdar 2011<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Bird restoration Purg Slovenske Konjice 2012<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Boljka from Ribnica with his father Andrej 1986<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Brdar Agava<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Brdar creating with wax<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Brdar Motta di Livenza 2002<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Brdar Piran<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Bull – Metod Frlic 2005<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Bull Boljka 1991<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Bull Janez Boljka 2006<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Bull Mornar Nica<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Celjanka Bo\u0161tjan Putrih 1995<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Christ Mornar 2008<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Detail monument Max Fabiani studio Medprostor 2016<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Details Butchers’ bridge Brdar 2010<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Dialog – Frlic 2006<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Doors Gospa from \u0160krpjel Kotor Kosta An\u0111eli Radovani 1998<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Doors of a cathedral Tone Dem\u0161ar 1996 Ljubljana<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Doors of Croatian cathedral Kuzma Kova\u010di\u0107 1989<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Encrustation of bronze letters \u010copova Ljubljana Medprostor 2013<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Europa F. Kralj 1992<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Favn Pugelj 2014<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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France Kralj – The fighting boys<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Gustav Mahler Kunaver Bojan 2009 Ljubljana<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Handover of model Luzern 2009<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Hippo Mornar \u017deneva 2001<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Holy Family Kolman Stane 1997<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Jellyfish fountain Dali Krivina 1995<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Kiss – Frlic 2007<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Ko\u010devje’s cross – Frlic<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Krpan Kolman Stane 1994<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Lead sailboat bulb 3,5 T<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Livenza in it’s place IT<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Locksmith street Brdar 2009<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Memorial to post-war mass killings<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Min. Ple\u010dnik’s Parliament<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Monument \u2013 detail inscription, bronze sheet metal 2016<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Peace by Ghass Paris 2015<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Pegasus Mornar Monaco 2007<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Pegaus \u010cetkovi\u0107 Vasko Roga\u0161ka Slatina<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Pelican Vasko \u010cetkovi\u0107 Celje 2010<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Polar bear Mornar \u017deneva 2003<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Polished torso Stipe Mili\u010di\u0107<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Railing caps Butchers’ bridge 2010<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Resurrection Ajdi\u010d 1998 Me\u0111ugorje<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Satir Brdar 2012<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Silver bronze portrait Frlic 2016<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Test of Europa Fountain nozzles France Kralj 1992<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Unveiling of Josip Pelikan Celje<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Vuk Karad\u017ei\u0107 Ljubljana 2016<\/a><\/h3><\/div>\n<\/article>\n\n<\/div>\n
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Wolf Brdar 2014<\/a><\/h3><\/div>\n<\/article>\n\n<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”4″ padding_top=”130″ padding_bottom=”130″ bg_position=”center” bg_cover=”true” bg_attachment=”true” bg_image=”\/wp-content\/uploads\/sh-bg.jpg” css=”.vc_custom_1488999317299{background-image: url(\/wp-content\/uploads\/sh-bg.jpg?id=) !important;}”][vc_column][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

Years of experience<\/h2>\n

[\/vc_column_text][vc_empty_space height=”10px”][vc_column_text]A good work of art depends on talent, while a good final product is largely dependent on the abilities, and is the result of years of experience.<\/p>\n

Let your idea become reality, where the technology of lost-wax casting will be limited only by your imagination.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

Manufacture methods<\/h2>\n

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    \n
  • Classic fireclay moulds<\/li>\n
  • Ceramic shells<\/li>\n
  • CO2<\/sub> sand moulding<\/li>\n
  • Bronze sheet metal<\/li>\n<\/ul>\n<\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row margin_top=”60″ margin_bottom=”60″ css=”.vc_custom_1487110585394{margin-bottom: 50px !important;}” anchor=”methods”][vc_column][vc_column_text]<\/p>\n

    Manufacture methods<\/h2>\n

    [\/vc_column_text][vc_empty_space height=”25px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

    Classic fireclay moulds<\/h3>\n

    [\/vc_column_text][vc_column_text]The classic technique of casting complex forms using the lost-wax procedure.<\/p>\n

    Using a model, we make a silicone mould, which is used to make a wax model.\u00a0 The wax model is then covered with a fireclay material.<\/p>\n

    The fireclay mould is burned in a furnace until the wax burns, leaving behind a hollow negative space of its shape. This space is filled up with the melt during casting.<\/p>\n

    Once the fireclay mould is broken off, we get a rough cast of the model shape, slightly smaller due to contraction of material (1\u20133%).[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_media_grid initial_loading_animation=”none” grid_id=”vc_gid:1488999303756-a34635cb-12e2-6″ include=”101,104,102,100,103,105″][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”25px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

    Ceramic shells<\/h3>\n

    [\/vc_column_text][vc_column_text]The procedure is identical to the classic procedure, with the difference of the wax model, which is covered with a ceramic shell.<\/p>\n

    In this procedure, we use waxes with greater hardness, since mechanical load on the model during mould making are higher than in making a classic fireclay mould.<\/p>\n

    Suitable for small, precise casting.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_media_grid initial_loading_animation=”none” grid_id=”vc_gid:1488999303769-4e07c13c-bd48-6″ include=”107,348,349″][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”25px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

    CO2<\/sub> sand moulding<\/h3>\n

    [\/vc_column_text][vc_column_text]Cheaper technology, used for less complex castings (also of large sizes).
    \nWe also use the technology of 3D printed sand moulds, most often for inscription plaques with a lot of characters.
    \nPrinted segments can also be built into the CO2<\/sub> mould.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_media_grid initial_loading_animation=”none” grid_id=”vc_gid:1488999303772-73ef368f-6c62-7″ include=”108,109,40″][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”25px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

    Bronze sheet metal<\/h3>\n

    [\/vc_column_text][vc_column_text]This technique is suitable for manufacturing simple shapes with clean surfaces with a greater hardness than castings.<\/p>\n

    Based on developed shells, we cut up the bronze sheet metal (using a laser or water jet), and then bend and weld it (using MIG or TIG procedures) into the final form of the 3D model.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_media_grid initial_loading_animation=”none” grid_id=”vc_gid:1488999303774-1033fe33-3412-6″ include=”30,112,46″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”3″ padding_top=”70″ padding_bottom=”45″ bg_cover=”true” bg_attachment=”true”][vc_column]

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